Canon in P: Brilliant Creativity by Penny Saunders on Whim W’Him

Dance Show Promotional, Entertainment Review

14993564_10157676467865035_242998834512113789_nIn addition to having a few days off of work, the other thing I love about winter vacation is that I have time to get to go do one of my favorite things: watch a Whim W’Him rehearsal! And this year, I got to watch the company work with the choreographer Penny Saunders, and I must say, it was a mesmerizing experience.

In the new rehearsal space, which is much smaller than the studios in the old space, I found Ms. Saunders’ choreography to take up all the space in the room, in the best way possible.  This piece centers around my beloved Justin Reiter, and I can’t tell you how good it was to see him at the heart of this piece. I missed his presence terribly in the Choreographic Shindig, as he was on the periphery for so much of it, and I missed his beautiful lines and powerful breath.

And speaking of breath, you’ve read numerous times how much I love how breath plays a strong part in the success of a WWDC performance.  The company finds a way to breathe together in a rhythmic way that does, in fact, mesmerize me, and Ms. Saunders uses their collective breath to her advantage with this piece.

Mr. Reiter sets the pace and timing of much of the movement with his breath, and the rest of the company follows beautifully.  Whether the only one moving, or whether immersed amidst his fellow dancers, his breath can be seen and heard as he takes the journey Ms. Saunders has created for him.  His complete control of his powerful, yet lithe body to isolate and flow through Ms. Saunders’ choreography is going to take your breath away, I promise you.  It’s everything I love about the way Justin moves, and can’t wait for the actual performance to see the growth he will have between now and then.

I’ve called this piece Canon in P, because Ms. Saunders utilized numerous canons throughout the piece, each more unique and interesting than the one before.  And the company, lined up differently each time, elevates something as simple as a canon to a level of art in that, they are doing the same movement, however, they manage to subtly insert their individuality to each movement creating a soft, yet dynamic symmetry.  Sitting in the small rehearsal room, I was completely entranced by all the canons, and I can’t wait to see how beautiful they will look when I’m up in the house watching this piece from a distance. When I said as much to Ms. Saunders, she smiled and said, “Me, too!”

And without giving away too much, I do quickly want to tantalize you with the promise of something ridiculously special waiting for you in this piece if you are wise enough to buy a ticket and come see this show.  And that special gift is in the form of a duet danced by the 004-bamberg-fine-art-1200x1800incomparable Patrick Kilbane, and new company member Liane Aung.  Mr. Kilbane, one of most stunning dancers I’ve ever had the privilege to watch dance live, has lines and feet that bring tears to my eyes, they are so beautiful.  And in Ms. Aung, he has met his 007-bamberg-fine-art-1200x1800match on that front.  Ms. Aung’s lines, sweet baby Jesus, and her extension are the stuffs that dance lovers’ dreams are made of, and her feet are so gorgeous, that I couldn’t take my eyes off of them.  I could write paragraphs and paragraphs about them, they are that spectacular as she finishes movements with her long, graceful fingers, or the exquisite point of her toe.  These two technical masters, these two emotionally open artists, these two breath-taking dancers have a section in this piece that absolutely transported and affected me.  I won’t tell you which feelings I felt, or where their beautiful moment took me, as I don’t want to color your experience, but trust me, people, you want to see this!  You need to see this!

Whim W’Him’s next show, Sensation opens on Jan 20, and runs through Jan 28.  Please 14962572_10157676466410035_9115623630654052940_nstart your 2017 off right by indulging your senses in this show.  I promise you, you won’t be disappointed!  I’ll be there opening night showing my support for my favorite Seattle Based dance company, and I do wish you’d join me. 

Ciao for now,

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Photos from Whim W’Him’s website and Facebook Page

Whim W’him 2015 Choreographic Shindig: A Three Course Feast for All the Senses

Dance Review, Dance Show Promotional

It’s a complete understatement to say that I’ve been eagerly awaiting the opening of Whim W’Him’s 2015 Choreographic Shindig after experiencing the magic of watching the company rehearse for this production. I’ve been shivering with anticipation to have a new experience, the likes of which only Whim W’him can provide.  It was like being invited to a dinner party at an good friend’s house who is a phenomenal chef in their own right.  You’ve dined with them numerous times before, and are always excited to be extended an invitation, because you know the meal will be exquisite.  Yet, this time, your friend and host lets you know they’ve hired three new chefs who have prepared a feast you’ll not soon forget, igniting excitement and curiosity at a totally new experience in a familiar setting.  Only, the host is Artistic Director, Olivier Wevers, and the three new chefs are a trio of choreographers chosen by the company to come create a feast of originality and ingenuity just for you, and it will entice and arouse your senses in the most delicious way!

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Image: Molly Magee of Bamberg Fine Art Choreography: Joshua L. Peugh Dancers: Jim Kent, Mia Monteabaro, Tory Peil, Thomas Phelan, and Lara Seefedlt

The appetizer, if you will, is presented by Joshua L. Peugh.  You’ll remember I got a taste of Mr. Peugh’s brilliance when I was invited to watch one of his rehearsals. It was at that rehearsal where Mr. Peugh landed on the name of his piece: Short Acts on the Heartstrings, and my heartstrings couldn’t agree more!  Seeing this piece in its final form, complete with costumes and lighting took my breath away.  White tuxedos and Cotton Candy Green flowing dresses twirled and whirled around the stage, creating light and happiness straight into the audience!  It’s akin to sampling various amuse-bouche where sweetness and freshness brings delight and joy, followed by a hint of heat which sneaks up on you, and the slow, delectable burn of spices tickles your senses, opening up your palate for the flavors yet to come.  That’s how Heartstrings affected me.  Light and funny one moment, deep and connected the next, with pops of unexpected heat that had me craving more!  Of all the fantastic phrases throughout this piece, there are two duets that simply stole my breath.  One was with Kyle Johnson and Tori Peil, and the other was with Kyle Johnson and Justin Reiter.  The beauty of these couples performing the movement created by Mr. Peugh was stunning to behold.  I laughed. I sighed (the kind of sighs you give when you watch a happy ending to a fabulous RomCom). I enjoyed every minute of being transported back to the, as I described before, a Mad Men meets Pulp Fiction dinner party hosted by Rosemary Clooney.  Pulled on the heartstrings for sure, and set the unbelievably beautiful tone for the evening.

The second course, if you’ll continue to indulge the metaphor, was a rich and meaty creation by Maurya Kerr titled into the wide welcome.  Although, I found myself adding “or not” onto the end of the title, because this piece took the Whim W’him company through a formidable physical expression of emotion that was less than welcoming.  None of the six dancers in this piece were spared a heightened emotional journey that, to me, showed the constant human need for contact, often with someone who is unhealthy for you.  The design elements added to the impassioned voice of Ms. Kerr as she weaved and threaded the dancers around each other.  All dancers dressed in shades of grey, the lights a harsh grey-white, and I’m not sure if it was part of the choreography, but when the air conditioner kicked on right as the pace of the piece accelerated and the music piped in, I swear, I was transported right into the middle of someone’s icy cold heart.  And I loved it!

Image: Molly Magee of Bamberg Fine Art Choreography: Maurya Kerr Dancers: Kyle Johnson and Tory Peil

Image: Molly Magee of Bamberg Fine Art
Choreography: Maurya Kerr
Dancers: Kyle Johnson and Tory Peil

Again, Mr. Johnson and Ms. Peil had my favorite sections of this piece, my heart aching for them as they struggled with their want for each other, yet never finding comfort in the contact for long!  With every frantic separation, my heart broke for them, and tears rolled down my cheeks.  The final section, all six dancers moving as one, creating a new pulse in the room.  Like a human chest compression, slowly and methodically easing life back into the room.  Creating heat and breath, where there was none before.  It’s one hell of a journey, and I hope all of you will give yourself the gift of experiencing it.

With the palate tantalizing appetizer and complex filling main course complete, that left room for the final course; a luscious, sinful dessert created by the incomparable Ihsan Rustem.  The piece titled The Road to Here was mouth-watering from the first move.  Seductive lines, provocative pictures, and sensual music pulled me, and everyone around me into Mr. Rustem’s hypnotic rhythms.  All seven company members shifted and

Image: Molly Magee of Bamberg Fine Art Choreography: Ihsan Rustem Dancers: Justin Reiter, Thomas Phelan, Tory Peil, Kyle Johnson, Mia Monteabaro, Lara Seefedlt, and Jim Kent

Image: Molly Magee of Bamberg Fine Art
Choreography: Ihsan Rustem
Dancers: Justin Reiter, Thomas Phelan, Tory Peil, Kyle Johnson, Mia Monteabaro, Lara Seefedlt, and Jim Kent

moved from one divine phrase to the next as if they were made of water. The company was audibly breathing as one unit, and I found my own breath catching with every new titillating movement.  Mr. Rustem’s use of the entire space was fiercely brilliant, with a deliciously devilish surprise half way through that I won’t say any more about, because you MUST experience it for yourself! Let’s just say it’s the cherry on top of a decadent experience you don’t want to miss.  From start to finish I was on the edge of my seat watching this piece, savoring every morsel Mr. Rustem provided.  When it was over, I was both satiated and satisfied, and I highly suggest you go get a taste for yourself!

I also want to take a moment to applaud the lighting designer for the Shindig, Mr. Michael Mazzola.  Mr. Mazzola’s designs for these three unique and powerful pieces were absolute perfection!  The warm, angelic glow for Mr. Peugh, the cold frigid wash for Ms. Kerr, and the seductive vibrancy for Mr. Rustem were all at a level of mastery that matched the vision of each piece brilliantly.  Bravo!

My hat is off to the ingenuity of Mr. Wevers and the unbelievably open way he runs his company.  Encouraging and championing his company members to grow as true artists, and allowing them the opportunity to choose the choreographers for this Shindig is truly inspired. Mr. Wevers said in the Q&A after the show that his goal for Whim W’him was to create a company where artists can flourish and grow, and I’d say the 2015 Choreographic Shindig proves that his goal has been beautifully and exquisitely achieved.  With selfless vision like that, Whim W’him has a very bright future ahead.

With every new experience, my respect for this dance company grows.  I’m definitely a Whimmer now, and a very proud season subscriber.  My hat is off to the entire company, the choreographers, and the designers of the 2015 Choreographic Shindig.  It was a resounding success, and I am definitely the better for having experienced it.

This gets a resounding Bravo, and a standing ovation!  Congratulations!

The Choreographic Shindig has five more performances at the Erickson unnamedTheatre Off Broadway in Capital Hill:

  • September 13 (today!) at 5pm
  • September 16, 17, 18 and 19 at 8pm

Tickets can be purchased at Brown Paper Tickets.

Ciao for now,

M lg

I got Dirty at ACT and It Was Glorious!

Entertainment Review, play review, Theatre Review

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Dirty, Co-Presented by A Contemporary Theatre and Washington Ensemble Theatre, in Seattle, WA was a night of theatre I will not soon forget!  It was brave and bold, and the impact of the story sneaks up on you in the most subtle and seductive way, and when it finally hits you, you are rocked to your core!

This play tells the story of Matt Barnes, an investment guy who transitions his life from elevated loan shark to owner of his own porn website all in the name of bringing some ‘good’ morality to the porn industry.  Matt’s goal is to provide an option to porn lovers that neither degrades women, nor exploits violence against women, but instead uses age appropriate actors in passionate scenes.  In addition to providing a good clean sex option in a sea of barely legal girls in pigtails performing in a rape fantasies, Matt wants to take his good works one step further: give 90% of the profits to organizations who help survivors of human trafficking.  In order to accomplish this, he needs his wife’s buy off, his ex-boss’s financial backing and the right ‘face’ of his website.  The story explores whether one can stick to the high standards one sets for themself when money and livelihood is on the line.  And this production explores it with the most deliciously talented cast I have seen in a long time.

Let’s start with Matt Barnes, played by the ridiculously talented Anthony 11403072_10152820021720855_8992621476496183308_nDarnell.  This man is an actor, ladies and gentlemen!  He’s pure genius in this role.  His delivery of monologue after monologue just got better with each speech and as the protagonist of this show, Mr. Darnell anchors the show brilliantly.  The journey that Matt Barnes takes is raw, emotional, and while funny at times, is really a dark look at the struggle we all face between morality and money.  This was my first time seeing Mr. Darnell on stage, and I look forward to many more performances from him because his acting was exquisite!

Matt’s antagonist through the play is split between two important people in his life:  his wife, Katie (LoraBeth Barr), and his boss Terry (Ali Al-Gasseir).  These two act as the angel and devil on his shoulders, each playing their part perfectly.  Katie raises the stakes of her influence over Matt by being pregnant with their first child, a daughter, who she uses when necessary to apply pressure to keep Matt’s morality in check.  Terry, on the other hand, is the financial backer of Matt’s company, and uses that as leverage as often 11412361_10152820025710855_1280774823823702691_nas possible to keep blurring, and at times, moving the boundary lines that Matt set up for himself and the company in order to maximize profits!  And when push comes to shove, and Katie won’t budge on issues, Matt seems to always point out that the more money they make, the more money they have to give away to the foundations supporting survivors of human trafficking, and that seems to lessen Katie’s resolve to a point.  This relationship triangle ebbs and flows through this story, forcing Matt to be swayed in a new direction every time he turns around because Ms. Barr and Mr. Al-Gasseir are so strong in their performances.  This trio of messed up, volatile characters trying to figure out how to get what they want was absolutely mesmerizing to watch!

The cast is rounded out by the ‘face’ of the website, Mikayla, played by Leah Salcido Pfenning, who will be the leading star of this high morale porn site of Matt’s.  She’s young (younger than Katie would prefer her to be), she’s beautiful, she’s sexy, and most importantly, she’s the daughter of a sex trafficking victim.  She’s perfect.  Except, she has an agenda of getting as much money as she can to help pay for law school and support herself and her younger 15 year old sister.  She agrees to be the website’s star, and is quite happy to be a driving force of the company’s success.  They give her the stage name, America, and inch by inch, the high morality of the company begins to drop as the popularity of America builds.  Ms. Salcido Pfenning is epic in this role!  Every moment she is on stage is full of fire, and her acting intentions so friggin clear, and she is grounded so very much in each and every moment, that the shift her character takes at the end of the play absolutely blind sided me!  And I loved it!  Mikayla is supposed to be the hope of something better, so when she turns out to just be another statistic, this reviewer’s heart was broken, because Ms. Salcido Pfenning’s performance was that good.  Bravo!

The other four roles in the show were of two porn stars (Nik Doner and Heidi Korndorffer), the big porn company CEO, Jacob (John Pyburn), and Mikayla’s little sister April, played by the incomparable Jasmine Sim.  Ms. Sim, the innocence of the show, has the most difficult challenge, in my opinion.  She had to go from being the young, vibrant, full of life 15 year old to the dead-eyed, heartbroken, exploited victim of sexual abuse.  11202068_10152820027015855_7687682021275714382_nThis actress, this unbelievably amazing actress, had a moment on stage that I haven’t seen in a long time.  It’s after she’s been exploited as part of a ploy Mikayla created to leverage Matt to sell his company to the big porn company and make a ton of money for herself, and she is alone in a room with Matt.  Matt has given in to the ploy, Katie has screamed at him and stormed off to the hospital to have their baby alone because she’s so disappointed in Matt selling out, and the bad guys have all won.  April asks Matt where he’s going, and he says to the hospital for the birth of his baby.  April asks him if it’s a boy or a girl, and when Matt says a girl, the moment Ms. Sim creates is absolutely heart wrenching.  The look of shock and fear on her face as she imagines a ruthless man like this being a father to a daughter…a man who would not stand up for her and her sister, who sold away his company to a sick man who will continue to exploit and abuse young women was sheer perfection.  As a classically trained actor, I know what it takes to sink into a moment to create that level of reality and truth, and Ms. Sim was absolutely tremendous and pulled the entire audience into her moment.  Thank you, Ms. Sim, for that experience!  You had many audience members talking about that moment as they left the theatre, myself included.  Bravo!

11406402_10152796207525855_1539692859451891064_nThe production of this show successfully matched the acting perfectly.  Michael Place’s direction was tight and inspired, Ali Rose Panzarella’s costumes were stunning and clarified each character’s journey from clean to dirty (or vice versa), but the most successful element for me was Tommer Peterson’s set design.  This pristinely white set, with varying levels, white furniture jutted out into the audience, allowing a wonderful stage for the actors to play on.  Watching the morality getting more and more muddy and dirty as the play went on, made the set that much more bright, that much more clean.  The juxtaposition was beautiful, and the entire production staff should be very proud of their creation!

This show is so many things, but at its core, it tells the truth! It tells the hard, ugly, frustrating truth of how we, as humans, have choices to make, and we aren’t always perfect in making those choices.  Consequences are real.  The good guys don’t always win.  And there will be days where we go against our moral compasses in order to make a buck.  It happens.  To the best of people, every day, it happens, and I’m so honored to have witnessed the exquisite bravery of Dirty.  This show had grit, this show had honesty, and this show had some of the best acting I’ve seen in a long time!

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Dirty closes tomorrow, but if you have the chance, please go see it’s closing performance!  You won’t be disappointed.  Showtime and ticket information can be found on ACT’s website.

Loved it!  Adored it!  Was absolutely moved by it!

I give it a Standing Ovation!

Ciao for now,

M sm

Photos from Washington Ensemble’s Facebook Page

Noises Off at SecondStory Repertory in Redmond, WA

Entertainment Review, play review, Theatre Review

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Noises Off by Michael Frayn is one of my all time favorite plays!  So, to say I am more judgmental of productions of shows I love is a major understatement.  And we all know I’m not shy about letting you know when I hate something.  Well, I’m also ready to shout from the rooftops when I love something, and I absolutely friggin loved SecondStory Rep’s production of Noises Off!!!!  It was sooooooooooooooo good!

Noises Off is a play within a play type of show.  The audience gets the joy of watching a goofy, quirky group of British actors rehearsing a play called Nothing On!  You get a look at all the magic that goes in to getting a play ready for an audience complete with a frustrated director, confused actors, exhausted stage hands, and egos everywhere!  Relationships that form within a tight knit cast is a very real thing, and Mr. Frayn exploits this in the best way possible!

These relationships take you on quite the journey that is a marathon of a show, not a sprint.  When you combine the heavy line load for the actors, the physical decathlon that the director has to create with staging all three parts, and the complication of the turning of the ENTIRE set, you have on hell of a show to pull off.  Well, Executive Artistic Director, Mark Chenovik put together an amazing production staff who then cast one of the best ensembles I’ve seen in a long time to more than pull this show off!

Let’s start with the set.  Unbelievable!  Amazing!  Phenomenal!  If you’ve never been to SecondStory, let me tell you this is not a big theatre.  The stage area is not that big, and I had no idea how they were going to manage to create a set large enough to hold this ensemble with all the ‘bathrooms and doors’ necessary for the story, not to mention then turn the sucker around for the second part, and then put it back for part three!  And yet….oh, and yet….it was done beautifully!  It was a masterpiece, and I am so glad I got to witness how it was done!  If you go see this show…or actually, WHEN, when you go see this show, when intermission rolls around, don’t go out to the lobby, instead stay in your seat and watch the magic that Mr. Chenovick and Jen Klos, Managing Director, pull off with just the help of one crew person.  BRAVO!!!

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Now, on to the rest of the production team.  Kevin Miller directed this beautifully.  Noises Off is great if one just lets it be what it is supposed to be, which is British farce/comedy, and Mr. Miller did just that.  He also cast a fantastic group of actors to tackle this beast and each actor was cast perfectly!  The costumes were delightful, the dialect was spot on with all of them, and every production element was on point!  Well done!

11390177_1008334859199918_5270324249647657058_nThe ensemble was pure magic.  Every single one of them had specific character development, wonderful line readings, and delicious chemistry.  They listened to each other, leaned in to each other, and played off each other so well, it was wonderful to watch.  Calling out standout performances is like trying to decide who is a better broadway diva, Patti LuPone or Alan Cumming!  But, I did have my favorites.  Sara Trowbridge as Belinda was simply spectacular!  I loved her high brow accent, her nosy nature, and her hilarious ability to manage Selsdon.  Additionally, her husband Freddie, played by Jaryl Draper, was wonderfully understated, deliciously dense, and 11537691_1008335015866569_3664335612755172545_nfantastically lovable.  And Dan Davidson as Tim was simply everything.  He was so brilliantly cast in this part, simply reacting to
all the madness going on around him in the most hilarious way!  He brought to life a character that can often get lost in this sea of dynamic roles, and yet Tim is the one I gushed about with friends after the show because Mr. Davidson committed to that character so completely, I was simply blown away!  Bravo to the entire cast for stellar performances all around!  You should all be very proud to be a part of this show, and I thank you for bringing it to life so beautifully.

Noises Off will continue to make audiences laugh through July 5th.  You should go get tickets now, because once the word is out, this show is going to sell out!  Ticket and show time information can be found on SecondStory’s website.

Loved this! So very much!  Please go see this show and support this wonderful cast and crew!

Ciao for now,

M sm

Photos from SecondStory Repertory’s Facebook page, credit to Michael Brunk

Whim W’Him Presents X-POSED in Seattle, WA

Entertainment Review

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My first love is dance.  I began studying around the age of five, and fell in love with movement.  And even though my dance training gave way to gymnastics, and eventually acting, my love of dance has never faltered.  I love all styles, and am mesmerized by original and powerful choreography, most of which I see on television shows like So You Think You Can Dance and documentaries about dance companies.  It had been so very long since I had seen good, inventive choreography in person.  That is, until I discovered Whim W’him.

My first encounter with Whim W’him was back in January 2015. I was invited by a friend to join her for their THREEFOLD performance to support a friend of hers who is in the company.  Having never heard of Whim W’him before, I did my research before accepting the invitation.  And immediately upon clicking on the ‘About the Company’ link on the website, two words gave me all I needed to know that I would definitely attend the show.  Those two words were:  Olivier Wevers.  I watched Mr. Wevers for years with the Pacific Northwest Ballet, and was always moved by his performances.  Even small solos in his first year with the company left an impression on me.  I never forgot his name.  So to find out that he is the Artistic Director of Whim W’him, well, I had to find out what his new company was all about.

I attended THREEFOLD and was so impressed by the three pieces the company performed, that I purchased tickets for X-POSED the minute they went on sale.  The only disappointment was it was five full months before I could see Whim W’him perform again.  But I waited, and counted the days, and on May 30th, along with two friends, I took my seat in the Cornish Playhouse in Seattle Center with excitement of knowing I was going to see a good show.  But what I got, was so very much more.

The show opened with a piece called RIPple efFECT, choreographed by10698665_10155628294300035_6475480424128512352_n Manuel Vignoulle.  This piece was a fractured yet fluid contradiction of movement.  The seven company members both pushed against and moved with each other in interesting shapes and levels.  One dancer, Tory Peil, the tallest woman in the company stood atop the shoulders of two other company members, creating a dizzying height to watch from the audience, and continued the spastic, searching movement that both tingled and confused the senses in the most delicious way.  I found myself experiencing anxiety and stress watching the dancers, like watching a suspense film and desperately wanting the hero and 078-Bamberg-Fine-Art-RIPple-efFECT-XLheroine to escape whatever is chasing them r holding them captive.  And just when one or more of the company members would find themselves breaking away from the group, the group117-Bamberg-Fine-Art-RIPple-efFECT-X2 would grab hold and pull the dancer back in the most jarring way creating horizontal pictures of tension, and
the next thing you knew another fascinating vertical shape would be created as they all moved as one.  This choreography was eclectic, volatile, and extremely creative.

The second piece was called Black Heart (in the program was listed with an actual black heart and no words), choreographed by Kate Wallich and featured all seven of the company members.  This piece, oh this piece, moved me in ways I was not ready for and brought out emotions I was not prepared to show and it was glorious!  Ms. Wallich’s movement in this piece was dark, tumultuous and at times, heart wrenching!  Described in the program as “a cacophony of choreography in four parts” is a brilliant description.  And of the four parts, there were two where, once again, Ms. Peil stood out amongst her colleagues, which, trust me, is hard to do in a  company with this much talent.  But Ms. Peil took me on an emotional journey I won’t soon forget.

The costumes in this piece, done by Black Magenta, were stunning all 394-Bamberg-Fine-Art-Black-Heart-X2around, but Ms. Peil’s costumes brought out a whole other level to the story for me. She started in a pair of black tights with a white billowy sheer blouse that showed a black bra beneath.  I point out this costume, because it was such a contrast to all the dark the rest of the company was wearing.  It was the only light piece in an otherwise dark world. And the movement Ms. Wallich gave Ms. Peil added to the contrast.  I found my eyes drawn to her, no matter how I tried to enjoy all the other amazing movements going on by the other company members.  And when the company transitioned to the next part, suddenly Ms. Peil removed the blouse, to now only be wearing black like the rest of the company, and they all moved into a story that will forever hold a place in this dancer lover’s heart.

Three of the men paired off with the three women to create some intricate contemporary partner work, to eventually land all three of the women, and one of the men, expertly danced by Jim Kent, on the floor, lying on their sides, resting back on one elbow, with the other hand rhythmically drumming on their thigh in an invitation, yet the energy from all four was one of empty emotion and dread, and not sensuality, even though the body placement was overtly sensual.  The next moment, the other three men would come and drag the women back, upstage in awkward and somewhat vicious choreography, only to bring them back and lay them back on the floor where the women would resume the sensual position, their hands returning to drumming their thighs suggestively.  This went on and on, andeach time the women were laid on the floor, their energy seemed more and more vacant and emotionless.  And then suddenly, two of the men, Kyle Johnson and Thomas Phelan (pictured) grabbed Ms. Peil at the same time and slung her back, dancing a pas des trios that was filled with innuendo and dark emotion.  These three exceptionally skilled dancers created a moment for me that broke my heart, and yet I could not look away. Her limp body being moved wherever the men positioned her brought tears to my eyes and I found myself silently crying out for it all to stop, and yet was so moved by the dark beauty of what I was watching.

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After this moment was over, and Mr. Johnson and Mr. Phelan laid Ms. Peil on the floor for the last time, the three women took their time standing and walking away from the scene, allowing me to see that Mr. Kent had yet to move from his position of drumming his thigh with his hand, and just when I feared that next would be his turn, Justin Reiter, picked up Mr. Kent, and as if to save him from the fate the women suffered, took him off in a loving embrace that allowed me to take a full breath since this part started.  The tender choreography that followed this had me instantly hearing Lovely Ladies from Les Miserables in my head.  Now, perhaps this isn’t what Ms. Wallich intended at all from her choreography, and I’m projecting my own thoughts on this performance that are a galaxy away from what was intended.  But Ms. Wallich, and the seven company members moved me through an emotional journey that was both dark and lovely at the same time, and is a performance I will never forget.

And when the lights came on and they set up for the final piece, I wasn’t sure that my heart could take much more after the tailspin Ms. Wallich took me on, but little was I to know that in a few short minutes I was going to witness a complete choreography masterpiece from Mr. Wevers, himself.  The final piece was called Alone is the Devil and Mr. Wevers featured Mr. Kent as the solitary human being pushed and manipulated around the floor by the other six company members who were phantoms tempting him with the seven deadly sins.  And people, there are not words for how powerful this piece was, but I will do my best.

In a world where so many things are at our fingertips, everything available at lightning speed through the internet, a phone app, or even a drive thru restaurant, and never truly needing another person to satiate the cravings we all have for Vanity, Lust, Sloth, Greed, Anger, Gluttony and Envy.  Mr. Kent was stunning, again dancing in an all white costume against the phenomenally designed black phantom costumes for the rest of the company, complete with stockings over the face of each of them, stunningly created by Mark Zappone.  619-Bamberg-Fine-Art-Alone-is-the-devil-X2Each dancer in this company is so distinctive, but the minute their faces were covered, it really was difficult to discern who was who, and I found that absolutely mesmerizing.  Mr. Reiter, for example, always stands out to me, and I couldn’t pick him out of the mob.  The beauty of it was it forced me to focus solely on Mr. Kent and the journey he took facing each sin.

Sloth, Greed and Anger blurred for me a bit, but Vanity, oh sweet, beautiful, 11407020_10155644996390035_155476706522849228_nvanity came through the use of a mirror on wheels that the phantoms expertly moved through the space, and Mr. Wevers choreography gave Mr. Kent a perfect vehicle for getting sucked into his own image and then feeling the shattering impact when the phantoms destroyed the mirror.  The special effect of the mirror was one I won’t soon forget.  And just when you think the mirror is no longer part of the show, the phantoms put it back together and Vanity transitioned erotically into Lust!  Lust was luscious, devious, and pushed boundaries of what I’ve seen in other dance shows in the most sensual, seductive and tantalizing way.  I was completely turned on by the images Mr. Wever and his company brought to life and just when I didn’t think I could take another moment of the erotic frolicking happening on that stage, they transitioned into Gluttony, and Gluttony broke my heart.

I know so many people battling obesity, myself included, and the way Gluttony was portrayed was by the use of fast food bags.  Starting out small, phantoms stuck them on Mr. Kent’s hands.  Then larger backs on top of those, large enough to engulf his hands and go up to his forearms.  Then larger bags came, and eventually a huge bag came that they put over his 569-Bamberg-Fine-Art-Alone-is-the-devil-XLhead, and the phantoms began to beat him around the stage with the bags, the sound of paper hitting Mr. Kent’s body was harrowing and heart wrenching, and he couldn’t see them, he couldn’t fight them, he was helpless to do anything against the danger Gluttony was doing to his physical being, and when they finally jumped off of him, all the paper bags, including the one from his head, were shoved into his tank top creating a very obese person, unhealthy from the Gluttony he’s been engaging in, and it was the saddest most terrifying moment and it literally took my breath away.

The piece ended with Mr. Kent turning in to a phantom and another company member, taking his place, showing that the cycle never ends.  Mr. Wevers created one of the most honest slices of life through art that I have ever seen, and it moved everyone in the audience.  How do I know?  Because when the piece ended, and the lights went out, there was that moment.  You know the one, right?  That delicious pause while everyone lets out the breath they’ve been holding and wraps their mind around the fact that the show is over and what they just saw was real and amazing.  And as the amazement kicks in, so do the applause.

It was not even a question but to jump to my feet in honor of the art I saw at Whim W’him’s latest show.  I wish it was still running so you all could go see it, because it was stellar, it was emotional, it was raw, it was honest, and it was brilliant all the way around.  This company has made a life long fan out of this reviewer, so much so, that I will be a season ticket member starting next season.

If you love dance, if you love creative expression, and if you love seeing true artists at the top of their craft, I highly encourage you to join me in becoming a season ticket subscriber for Whim W’him.  Information on ways to subscribe and donate can be found here.

They entertained my face off!  Loved it!  Adored it!  Can’t wait to see what they do next!! Bravo!

Ciao for now,

M sm

Press photos – Bamberg Fine Art

Four Dogs and a Bone at Theatre Schmeater in Seattle, WA

Entertainment Review, play review, Theatre Review

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Saw a new play tonight by one of my favorite playwrights, John Patrick Shanley, at Theater Schmeater in Seattle.  It is called Four Dogs and a Bone and it follows the story of a screenplay being filmed in Hollywood.  I note the screenplay as the focus, because it really was a character in this funny, witty play.  It is the thing that each character wants to control in this play in one way or another.

4 Dogs and a Bone-1There are two actresses (Brenda and Collette played by Brenda Joyner and Elinor Gunn, respectively) who both fashion themselves the star of the show and desperately want the screenplay to feature them as the lead.  There’s a producer (Bradley played by Paul Custodio) who wants the screenplay cut down to something that can be filmed on, or better yet, under budget.  And finally the screen writer (Victor, played by Ray Tagavilla) who just wants this screenplay, his first screenplay, to be a hit and get mass distribution.  The stakes are high for them all, and each actor attacks their intention differently.

Mr. Custodio was appropriately sleazy and skeezy as the penny pinching producer.  Shanley’s dialogue for this character is deliciously raunchy and disgusting, and Mr. Custodio embraces this with gusto!  I believed every pain in the ass moment he created (and you’re just going to have to go see it to understand that reference!).

Both Ms. Joyner and Ms. Gunn went after their intentions with the passion of a desperate actress just trying to be liked by, ya know, the entire world.  Ms. Joyner’s Brenda, a newcomer to the business, was a lovely mixture of naiveté and ruthless moves, all rolled into a lovable neurotic newbie and you can’t help but understand her desperation of trying to break into the business beast of Hollywood as best she can.  Ms. Gunn’s Collette, on the other hand, is the stereotypical stage actress trying to make her career transition to film, and is placing all her chips on this one bet that this movie will make her a leading actress.  Colette is the Ivy to Brenda’s Karen (yes, I just used a Smash reference, deal with it), and both are so ridiculous, I found myself hoping Victor would just write them both out of the film.  Both women committed to their characters beautifully, and the contrast between the two kept me laughing throughout the show!

But the shining star of this production is Mr. Tagavilla.  His Victor had both depth and charisma as the fledgling playwright hoping for a hit with this movie.  Victor is the only character who has a significant arc and takes a journey in this play, and was a pleasure to take that journey with Mr. Tagavilla.  His comedic timing, his line delivery (to quote my friend who went as my +1 tonight, “Saying ‘suck my dick’ that many times and could have gotten really crass and ridiculous, but he just made every time he said it more hilarious 11377388_10153947727538012_4966385185623481930_nthan the time before.” People, this alone should have you rushing to buy tickets right now!), and his ability to stealthily maneuver from moment to moment in every scene he was in showed that Mr. Tagavilla is on a whole other level than the rest of the cast.  While they were good, he was great!  Mr. Shanley’s final lines for Victor could have ended up quite cheesy in the hands of a less skilled actor, but Mr. Tagavilla had me staring up into that bright light of the possibility of success thinking, “Yes, Victor!  You will get everything you want and more!  Johnny lives!!”

Overall, the direction, design, and timing were all tight and effective.  The pacing is perfect, the costumes fantastic, and the soundtrack outstanding!  Watching Ms. Gunn try to seduce Mr. Tagavilla while Big Poppa played in the background was my favorite scene in the show and made my heart soar!  Brilliant choices all around!

This isn’t a groundbreaking play.  It will not leave you with some deep meaningful morale to take away and ponder over late night happy hour drinks.  It will, however, make you laugh and entertain the hell out of you, so I highly recommend you go see this gem.

Four Dogs and a Bone plays through June 27th and show and ticket information can be found on Theater Schmeater’s Website

Highly entertained! Loved it!  Go see it!

Ciao for now,

M sm

Photos from Theater Schmeater’s Facebook page

Space Madness: Burlesque, Drag & Variety Show at The Austin in Everett, WA

Entertainment Review, Variety Show Review

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As a virgin to a full burlesque show, I had no idea what to expect as two friends and I sauntered in to a bar called The Austin in Everett, WA to watch a show titled: Space Madness.  I was cordially invited by the divine hostess, Shana Deon, to attend these festivities, and am so grateful for that invite, because Space Madness was a hilariously fabulous night of entertainment with a space odyssey/alien invasion/all things with the word Star in it (Star Wars, Star Trek, Stars, etc) and it was delicious!

Let’s start with the opener of the night, one Miss Sparkle Leigh.  You may remember that name, as she was the divine hostess of the last Variety Show that I saw at the SecondStory Hideaway in Redmond, WA (you can read that review here if you missed it!), and Sparkle was one of the main reasons I made the trek up to Everett to see this show.  And Sparkle Leigh did NOT disappoint!  This bitch opened up the show doing Don’t Cry for Me Argentina from Evita as, wait for it…Marge Fucking Simpson!!!  Don’t believe me?  Check it out, here is Sparkle Leigh with Shana Deon at the show:

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I love everything about this photo!  Anyway, I digress.  Miss Leigh’s Evita was stellar!  And when those giant blue eyes looked in my direction, even though she told me not to, I may have cried for her Argentina, because it was that damn fantastic!

And then, as if I didn’t already love her enough, Sparkle Leigh came back in the second act dressed as E.T., and y’all, this costume was even better than the first!  I was not ready.  Let me say it again, I was NOT ready for this!

11393239_401997843327233_1640113859445636500_n Girl was performing Katy Perry’s        Extraterrestrial dressed like a giant E.T doll  and blew my mind in a very, as Shana pointed out, WTF moment!  So good!  Soooooo good!  She werked the hell out of that costume from the fringe to the head to the glasses to the boots.  Loved it all, loved it!  Brava Miss Diva!

11289442_420748038107330_5145487395804463579_oMy second favorite act of the night belonged to a fellow named Al Lykya who dazzled first as Captain Kirk from Star Trek, and then as Han Solo-esque character to one of my all time favorite songs, Space Cowboy by NSYNC.  Al had charisma, great choreography, and phenomenal stage presence.  He’s got a way of captivating an audience that had this reviewer sad and bummed to only see his name on the set list twice.  But all was not lost, as my third favorite act, who closed the first act, belonged to a lady by the name of Maxie Milieu who came on right after Mr. Lykya’s Captain Kirk as Captain Jean-Luc Picard!  She committed to this character in a way I was not ready for at a Variety show.  I was ready for campy.  I was ready for silly.  I was even 11412028_420748044773996_397897958884696273_oready for sexy.  I was not, however, ready for committed acting performances and character development at the level Ms. Milieu gave us as Picard!  She came out drinking hot tea, and had tea bags strategically placed on her body that came out as the act went on.  It was fabulous!  But when Mr. Lykya came back out and got on the floor and Ms. Milieu dipped two wet tea bags dangling from her lady parts into Kirk’s eagerly waiting open mouth, the entire place died!  We fucking died!  And just when we thought, through the cheers and tears of joy the entire audience was experiencing, Kirk and Picard made out!!!!  Yeah, you read that right, they made out!  It was hot!  It was wrong, and yet oh so right!  And all the nerds in the place lost their minds with nerdgasms!  Huge applause to these two fine performers for the brilliance of this performance!

Everyone in the show was fabulous, but other notable performances that stood out for me as being amazing were newcomer Steemed Peter.  This 11393333_420748051440662_6484764154273483601_ohot little number, while new to burlesque, is not new to the stage, and when he came out as a space man to plant his flag in an all white astronaut outfit and stripped down to a pair of teeny tiny martian green boy shorts, pretty sure there was not a dry seat in the house!  My one criticism would be whatever he had going on under those boycotts, because someone needs to introduce this newbie to a dance belt, and fast!  He’s too cute to not accentuate the goods!

11406742_420748034773997_206477529243053748_o  I also thoroughly enjoyed Saleurn Ramos and her fantastic hoops.  The hoops were something I hadn’t seen before, and loved the various patterns of light, and girl can work those hoops, let me tell you. She’s also a yoga instructor, so between the bending and contorting and flinging those hoops around was mesmerizing! I hope to see more of Ms. Ramos in future burlesque and variety shows because she is outstanding!

11267664_420748058107328_6628791841150124534_oAnd finally, the stunningly beautiful vixen that closed out the show, Miss Seraphina Fiero, gave two phenomenally sexy performances in this show.  She is a combination of strong and sultry at the same time, making you feel as if, while you watch her, that somehow she’s weaving a spell over you, but you dare not look away for a fear of missing one tantalizing moment!  That you’d follow this dreamy siren anywhere she beckoned!  Her last name is Italian for Pride, and this lovely lady should be very proud of the show she put on last Sunday night.  Bravo!

I will be keeping an eye on future productions put on my Ms. Deon and produced by Siren and the Treasured Chests.  I thank all involved in this show for a wonderful, fabulous, hilariously sexy nerdfest!

Loved it!

Ciao for now,

M sm

Pitch Perfect 2

Entertainment Review, movie review

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I’m going to make this short and sweet, because I don’t want to ruin this movie for those who haven’t seen it, but if you loved the original, as I did, then you should definitely go see the sequel.

Like all sequels, it doesn’t have the punch that the original had, but there are a lot of gems in this second effort that make shelling out the ridiculous theatre prices to see this one on the big screen totally worth it.

Let’s start with the music.  The arrangements were just as fantastic as they were in the first one.  You expect tight harmonies and great mashups from the Bellas and the Trebles.  But what I wasn’t ready for was the hilariously great vocals by the Bellas’ nemesis Das Sound Machine!  These German weirdos in their utilikilts and mesh tops were fantastic.  I mean, come on, how can you not love this:

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Also, was seriously shocked by the vocal stylings of the Green Bay Friggin Packers!  Yeah, you read that right.  In case you don’t believe me, here, check it out:

David Cross, Jordan Rogers, TJ Lang, Clay Matthews, David Bakhitari (head slightly turned away) and Josh Sitton in a scene from the motion picture "Pitch Perfect 2." Credit: Richard Cartwright, Universal Pictures

David Cross, Jordan Rogers, TJ Lang, Clay Matthews, David Bakhitari (head slightly turned away) and Josh Sitton in a scene from the motion picture “Pitch Perfect 2.” Credit: Richard Cartwright, Universal Pictures

It was a grown up version of a riff off, and it was fantastic!  This scene alone was worth the price of admission!  Not to mention Clay Matthews’s guns!  Yum!

The standard players were doing what they do.  Lily is still scary, Chloe is still trying to hard, Becca is still trying to be a music making rockstar, and Fat Amy, well….Fat rebel_wilson_pitch_perfect_2Amy is still being aca-awesome!  Her shenanigans in this installment of the Pitch Perfect franchise (I say that, because there is definitely room for more Pitchy goodness), were hilariously fantastic!

There are a few newcomers to this sequel.  There’s the newest Bella, Emily, tumblr_nfibgwcPGD1rng96vo1_1280played by Hailee Seinfeld, and she was delightful.  She brought a fresh faced innocence to these crazy Bellas, and helped smooth out the journey that the girls all go on together.  I loved her!

pitch-perfect-2-super-bowl-trailer-screenshot-david-cross-riff-off-ref-3David Cross also makes a cameo, and to say it is ridiculous is the understatement of the year!  It’s classic David, in all his scene stealing glory.  He’s funny.  He’s inappropriate.  He’s deliciously ridiculous, and I thought he was a great addition to the movie.

Also, Katey Sagal made a cameo as Emily’s mom, and a former Bella.  Katey, who will just always be Peg Bundy to me, was adorable and maternal in the best way, and can rock a pair of skinny jeans as well as Anna Kendrick, and I’m not just being kind!

23557EBB00000578-0-image-5_1416504636161Rounding out are my favorite commentators, Gail and John, who are still mean as ever!  They are the through line that keep me always wanting more, because these comedians bring the type of humor that just makes this reviewer’s hear soar!

The boys are back, too, but nothing about Benji, Jesse, or Bumper is really that memorable, so I’ll just leave that there.

All in all, I really enjoyed this movie.  Elizabeth Banks did a nice job with it as the director.  I look forward to more films from her.  It was silly, it was fun, and it had great music.  And Anna Kendrick has been one of my favorites since she was the scary little girl in Camp, and so I pretty much will watch anything she’s in no matter what it is.  She’s amazing.

Loved it!  Go get pitch slapped!  I think you’ll enjoy it.

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Ciao for now,

M sm

Othello at Seattle Shakespeare Company in Seattle, WA

Entertainment Review, play review, Theatre Review

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People!  People, people, people!!  Finally, a night of theatre I’m thrilled and excited to write about!  My only sadness was that I saw closing night’s performance, so if you missed this one, you missed out on a good one!

Shakespeare’s plays are among my favorites on the planet.  I love them so very very much, and Othello has two of my favorite characters at the heart of the story: Iago and Desdemona. And this production, people, this production had two of the strongest actors I have seen in a lonnnnnnng ass time on that stage bringing these two characters to life in a way that was fresh, powerful, and moving!

11150544_10152766624677539_7224202587430685503_nLet us start with the beautiful and amazing Hillary Clemens who played Desdemona.  Ms. Clemens was beautiful and a striking dichotomy of strength and femininity from the moment she stepped on stage to secretly marry Othello.  Her girlish excitement mixed with her womanly sensuality was refreshing and mesmerizing at the same time!  And as the play went on, as she fell more and more in love with her husband, stood up to her father, and lobbied for what was right for Cassio, I just fell more and more into the spell Ms. Clemens weaved around the stage.  Every moment was filled with clear intention, stunning choices, and brave movement!  Every moment was real and stunning, all coming together to create something that I love to experience in plays I’ve seen before, which is that moment where you hope the end will be different. SheSSC_Othello_2105-676 was so perfect, this Desdemona, that as she undressed, and stepped into her bath, the knowing of what was to come upon her face, the fear of her fate taunting her as she sank into the water of her bath, and I sat there, wishing and praying for a different ending to this tragedy of the Bard’s, knowing full well my prayers would not be answered.

And when the ending occurred, and the lovely Desdemona’s life was taken 31f503f8-f452-11e4-8407-cdb4c0ba9c49-300x449by the one man she was absolutely and completely devoted to was done with such a horrific beauty, that it took my breath away.  A familiar scene blocked so epically, stunningly violently that I was filled with shock, awe, and absolute despair at the moment Desdemona took her last breath.  I know Othello, played by Sean Phillips, was on the stage with Ms. Clemens, but honestly, I couldn’t take my eyes from her throughout the entire scene.  And as my eyes filled with tears as Othello smothered her last haggard breath with a pillow from their wedding linens, I couldn’t look away, because I didn’t want to miss a minute.  The tears fell for the loss of this beautiful creature who was the shining star of this wonderful production.

And as bright as Ms. Clemens’s Desdemona was, the dark, spiteful Iago was deliciously brought to life by one Mr. Darragh Kennan.  11148643_10152788267257539_316701078473174228_nOh, Mr. Kennan, where have you been all my life?!?!  Iago, my favorite villain, because his villainy is caused out of circumstance.  He’s seeing revenge in it’s purest form, and as the play goes on you can’t help but wonder what would have happened had he not been passed over.  There’s a human aspect to Iago that I’ve always adored, and Mr. Kennan played that human aspect perfectly!  His opening soliloquy was so brilliant, and set the tone for this amazing production.  Mr. Kennan captured the audience from his first word, and held it until his last moment.  Much like Ms. Clemens, Mr. Kennan’s choices were brave and brilliant.  His intentions so clear, his ability to listen was phenomenal, and his reactions so true and honest and in the moment, he made me proud to be an actor!

His devious plan came to life, his puppet mastery knew no bounds.  His interactions with the audience were perfectly placed, wonderfully executed, and I found myself spellbound by this unbelievably talented actor so much so that I was actually disappointed when the story was over.  Mr. Kennan commanded that stage, and made every scene he was in stronger, especially when it came to Mr. Phillips’s Othello.  I didn’t so much care for Mr. Phillips performance, but I’ll get to that, however, when he was on stage with Mr. Kennan, those scenes were his strongest, because Mr. Kennan brings out the best in his scene partners!  He anchored this show so well, that I found myself rooting for Iago because, dammit, he was likeable!  Thank you, Mr. Kennan for that performance.  I am better for having seen you creating art!  Thank you!

The cast as a whole was strong, although I did find Othello to be the weakest performance, which is hard to type, but it’s how I felt.  Mr. Phillips came out on a level 10 intensity and volume with speaking his lines.  He gave himself nowhere to go, nowhere to grow throughout the show.  His choices were not clear, and rather than play his intention, I found him playing his obstacle the entire time, and it drove me nuts.  It was hard to stay engaged in the story when every time Mr. Phillips opened his mouth, especially in the first half, he was shouting at everyone rather than connecting with them.  He was very one note throughout the performance.  Until the end.  That level of intensity was beautifully done during Desdemona’s death scene, and when he came upon her sleeping in her bath, it was one of the most beautifully staged scenes I’ve ever seen.  And when Othello kisses Desdemona those three times, again, Mr. Phillips had me hoping that maybe, just maybe, this time Othello wouldn’t kill his wife.  And his intensity of throwing Ms. Clemens around the stage, of holding her under the water of the bath, screaming out his lines of betrayal, it was beautifully balanced and wonderfully done.  So while I was underwhelmed by Mr. Phillips for most of the show, I did truly love his murder scene.

I must also give accolades to a few of the other characters whose performances were wonderful.  Bianca, played by the fiery Keiko Green 11150697_10152766624707539_4007719442217679389_nwas one of my favorites!  She had one of the best exit scenes I’ve seen in a long time.  Loved her passion and her fire and her commitment to this character.  I also really enjoyed Rodrigo, played by Trick Danneker.  If Bianca was walking fire, Rodrigo was walking air!  10982881_10152766624692539_7212443055923358395_nHe was adorable, and vulnerable, and malleable and the perfect puppet for Iago to master.  His death scene was so heartbreaking, and everything up until then was delightful.  I applaud both of these actors on a job well done!

I also have to applaud the designers of this show.  The costumes were great on everyone from the soldiers to the women to the Duke.  Powerful pieces, bold pops of color, and the white dress that Desdemona wears in the final scenes was inspired.  Bravo, Doris Black, bravo! 11204428_10152766624712539_1879978597553697404_n

And the costumes were lit by the brilliant Geoff Korf!  Oh, the lights in this show!  They were stunning!  There’s no other word for them.  They created intimate moments, powerful moments, sinister moments with seamless brilliance.  And as I said, the moment that Othello comes upon Desdemona sleeping in her bath is one of the most beautiful moments I’ve ever seen on stage.  I’d give anything for a photo of that moment.  Thank you, Mr. Korf.

The set was also amazing in it’s simplicity.  I loved the neutrality of the colors of the set, the genius of the moving platforms, and the ability of the set to turn into a large projection screen for Othello’s dark thoughts to come to life was erotic magic!  Loved it!

My hat goes off to the director of this show, John Langs.  The concept was clear, inspired, and brilliantly executed.  Mr. Langs had a strong team around him to bring his vision to life, and was so lucky to have this cast to bring his moments to life as well.  I will be looking for future productions from Mr. Langs, because I was truly moved by this production!

Being as opinionated as I am about theatre, it takes a lot to get me out of my seat at the end of a production to show the actors how much I enjoyed their show, and I didn’t even hesitate to stand at the end of this one.  Thank you all for a much needed night of good theatre!  You made me a very happy Lady!  My only regret is I didn’t go sooner so that I could have seen it more than once.

Adored, loved, and will not soon forget it!

Ciao for now,

M sm

Photos from Seattle Shakespeare Company’s Facebook page.