It’s a complete understatement to say that I’ve been eagerly awaiting the opening of Whim W’Him’s 2015 Choreographic Shindig after experiencing the magic of watching the company rehearse for this production. I’ve been shivering with anticipation to have a new experience, the likes of which only Whim W’him can provide. It was like being invited to a dinner party at an good friend’s house who is a phenomenal chef in their own right. You’ve dined with them numerous times before, and are always excited to be extended an invitation, because you know the meal will be exquisite. Yet, this time, your friend and host lets you know they’ve hired three new chefs who have prepared a feast you’ll not soon forget, igniting excitement and curiosity at a totally new experience in a familiar setting. Only, the host is Artistic Director, Olivier Wevers, and the three new chefs are a trio of choreographers chosen by the company to come create a feast of originality and ingenuity just for you, and it will entice and arouse your senses in the most delicious way!
The appetizer, if you will, is presented by Joshua L. Peugh. You’ll remember I got a taste of Mr. Peugh’s brilliance when I was invited to watch one of his rehearsals. It was at that rehearsal where Mr. Peugh landed on the name of his piece: Short Acts on the Heartstrings, and my heartstrings couldn’t agree more! Seeing this piece in its final form, complete with costumes and lighting took my breath away. White tuxedos and Cotton Candy Green flowing dresses twirled and whirled around the stage, creating light and happiness straight into the audience! It’s akin to sampling various amuse-bouche where sweetness and freshness brings delight and joy, followed by a hint of heat which sneaks up on you, and the slow, delectable burn of spices tickles your senses, opening up your palate for the flavors yet to come. That’s how Heartstrings affected me. Light and funny one moment, deep and connected the next, with pops of unexpected heat that had me craving more! Of all the fantastic phrases throughout this piece, there are two duets that simply stole my breath. One was with Kyle Johnson and Tori Peil, and the other was with Kyle Johnson and Justin Reiter. The beauty of these couples performing the movement created by Mr. Peugh was stunning to behold. I laughed. I sighed (the kind of sighs you give when you watch a happy ending to a fabulous RomCom). I enjoyed every minute of being transported back to the, as I described before, a Mad Men meets Pulp Fiction dinner party hosted by Rosemary Clooney. Pulled on the heartstrings for sure, and set the unbelievably beautiful tone for the evening.
The second course, if you’ll continue to indulge the metaphor, was a rich and meaty creation by Maurya Kerr titled into the wide welcome. Although, I found myself adding “or not” onto the end of the title, because this piece took the Whim W’him company through a formidable physical expression of emotion that was less than welcoming. None of the six dancers in this piece were spared a heightened emotional journey that, to me, showed the constant human need for contact, often with someone who is unhealthy for you. The design elements added to the impassioned voice of Ms. Kerr as she weaved and threaded the dancers around each other. All dancers dressed in shades of grey, the lights a harsh grey-white, and I’m not sure if it was part of the choreography, but when the air conditioner kicked on right as the pace of the piece accelerated and the music piped in, I swear, I was transported right into the middle of someone’s icy cold heart. And I loved it!
Again, Mr. Johnson and Ms. Peil had my favorite sections of this piece, my heart aching for them as they struggled with their want for each other, yet never finding comfort in the contact for long! With every frantic separation, my heart broke for them, and tears rolled down my cheeks. The final section, all six dancers moving as one, creating a new pulse in the room. Like a human chest compression, slowly and methodically easing life back into the room. Creating heat and breath, where there was none before. It’s one hell of a journey, and I hope all of you will give yourself the gift of experiencing it.
With the palate tantalizing appetizer and complex filling main course complete, that left room for the final course; a luscious, sinful dessert created by the incomparable Ihsan Rustem. The piece titled The Road to Here was mouth-watering from the first move. Seductive lines, provocative pictures, and sensual music pulled me, and everyone around me into Mr. Rustem’s hypnotic rhythms. All seven company members shifted and
moved from one divine phrase to the next as if they were made of water. The company was audibly breathing as one unit, and I found my own breath catching with every new titillating movement. Mr. Rustem’s use of the entire space was fiercely brilliant, with a deliciously devilish surprise half way through that I won’t say any more about, because you MUST experience it for yourself! Let’s just say it’s the cherry on top of a decadent experience you don’t want to miss. From start to finish I was on the edge of my seat watching this piece, savoring every morsel Mr. Rustem provided. When it was over, I was both satiated and satisfied, and I highly suggest you go get a taste for yourself!
I also want to take a moment to applaud the lighting designer for the Shindig, Mr. Michael Mazzola. Mr. Mazzola’s designs for these three unique and powerful pieces were absolute perfection! The warm, angelic glow for Mr. Peugh, the cold frigid wash for Ms. Kerr, and the seductive vibrancy for Mr. Rustem were all at a level of mastery that matched the vision of each piece brilliantly. Bravo!
My hat is off to the ingenuity of Mr. Wevers and the unbelievably open way he runs his company. Encouraging and championing his company members to grow as true artists, and allowing them the opportunity to choose the choreographers for this Shindig is truly inspired. Mr. Wevers said in the Q&A after the show that his goal for Whim W’him was to create a company where artists can flourish and grow, and I’d say the 2015 Choreographic Shindig proves that his goal has been beautifully and exquisitely achieved. With selfless vision like that, Whim W’him has a very bright future ahead.
With every new experience, my respect for this dance company grows. I’m definitely a Whimmer now, and a very proud season subscriber. My hat is off to the entire company, the choreographers, and the designers of the 2015 Choreographic Shindig. It was a resounding success, and I am definitely the better for having experienced it.
This gets a resounding Bravo, and a standing ovation! Congratulations!
- September 13 (today!) at 5pm
- September 16, 17, 18 and 19 at 8pm
Tickets can be purchased at Brown Paper Tickets.
Ciao for now,